- Written by: Gordon Brockhouse
I sometimes wonder if the name of this site, Simplifi, contradicts its stated mission to cover “convenient, lifestyle-oriented hi-fi,” per the blurb on the SoundStage! Network portal.
- Written by: Gordon Brockhouse
It’s the start of a new year -- and, depending on your math, the beginning of the 2020s or the end of the 2010s. Do the 2020s officially begin on January 1, 2020, or on January 1, 2021? Whichever, it’s time to look at the top audio trends of the past year and the past decade.
- Written by: Gordon Brockhouse
Judging by the crowds at Audio Video Show 2019, held Friday-Sunday, November 8-10, in Eastern Europe hi-fi is a family affair. The 23rd edition of the show was held in three venues in central Warsaw, in Poland: the Radisson Blu Sobieski and Golden Tulip hotels, and the PGE Narodowy, or National Stadium.
- Written by: Gordon Brockhouse
What would you rather do on a glorious Canadian autumn weekend: Go for a hike in the woods? Do some urban exploring? Listen to great audio equipment in a suburban hotel?
Over the weekend of October 18-20, 3500 people chose the third option, spending hours or days at the second edition of the Toronto Audiofest, held at the Westin Toronto Airport Hotel in Mississauga, Ontario.
- Written by: Gordon Brockhouse
On the various websites of the SoundStage! Network you’ll find reviews of all kinds of source components -- CD players, streamers, DACs, turntables, cartridges, and phono stages. But to my knowledge, in its 24-year history SoundStage! has reviewed only one smartphone: the LG G7 ThinQ.
- Written by: Gordon Brockhouse
Is classical music in danger of dying “a digital death”? That prospect worries Thomas Steffens, CEO of Amsterdam-based Primephonic, a streaming service that specializes in classical music. “The world is moving toward streaming, where there are no CD stores anymore, and download stores are disappearing,” Steffens told me in an interview. “At the same time, classical music is massively underrepresented on streaming services. Classical music accounts for 5% of all global music consumption, but only 1% of streaming music, and 0.5% of streaming royalties.”
- Written by: Gordon Brockhouse
Is a music-management application that costs $499 USD expensive? That’s what you’ll pay for a lifetime subscription to Roon, and I’ve occasionally called it “an expensive option.” If you don’t want to plunk down half a thou, you can pay $119 for a one-year subscription.
Read more: Play Nice Together -- An Interview with Rob Darling of Roon Labs
- Written by: Gordon Brockhouse
If anyone made a list of the 21st century’s most successful hi-fi speakers, that list would surely include the KEF LS50, introduced in 2012 to commemorate the 50th anniversary of the BBC LS3/5a minimonitor. Since then the LS50 has received countless honors, including Reviewers’ Choice and Product of the Year awards from SoundStage!.
Read more: Active Voices, Part Three: KEF's Jack Oclee-Brown
- Written by: Gordon Brockhouse
There’s no doubt about it: Munich’s High End is the greatest audio show on earth. But don’t let the name scare you. High End isn’t only about big, expensive gear -- not that there’s anything wrong with that. Many affordable components made their debuts at this year’s show.
- Written by: Gordon Brockhouse
Most active speakers are all-in-one components, with built-in amplifiers and often built-in DACs as well, but no law says that active loudspeaker technology must be neat and compact. It’s possible to create an active speaker system with external amplifiers and crossover, like those offered by Bryston. Bryston’s active systems combine crossoverless versions of its Model T, Middle T, and Mini T speakers with the BAX-1 external crossover, plus amplifiers dedicated to each frequency range.
Read more: Active Voices, Part Two: Axiom Audio's Andrew Welker
- Written by: Gordon Brockhouse
Like many audiophiles with limited space and limited funds, I often wonder why, at audio shows, so many companies insist on displaying ultra-expensive systems. Why not real-world systems that most people can afford? Systems they can use in day-to-day living spaces, not just man caves?
- Active Voices, Part One: Elac's Andrew Jones
- Let's Keep it Simple
- A Roon of One's Own
- How I Simplifi'd My Wi-Fi
- Are Downloads Dead?
- Hi-Rez Streaming: Tidal vs. Qobuz
- Toronto Audiofest 2018 Simplifi'd
- How I Simplifi'd My Hi-Fi
- Time to Celebrate: Five Years of Google Chromecast
- How Good Can Voice Recognition Get?
- Are Smart Speakers Any Good for Audiophiles?
- High End 2018, Simplifi'd
- Is the Smart Speaker a Dumb Idea?
- What's Up with Apple AirPlay 2?
- The Spotify Dilemma
- CES 2018, Simplifi’d
- Farewell, CES
- Room Tunes
- Social Streaming
- CEDIA 2017, Simplifi’d
- Classical Prime Time
- The Röst Reconsidered
- High End 2017, Simplifi'd
- Vinyl: There's an App for That
- Metadata: Life with Roon
- The Internet and Audio: The Good, the Bad, and the Impossible
- The State of Streaming
- CES 2017, Simplifi'd
- Why "Simplifi"
SoundStage! Simplifi is part of
All contents available on this website are copyrighted by SoundStage!® and Schneider Publishing Inc., unless otherwise noted. All rights reserved.
This site was designed by RocketTheme, Karen Fanas, and The SoundStage! Network.
To contact us, please e-mail info@soundstagenetwork.com