NAD C 700 V2

One of the occupational hazards of writing for an audiophile website is a condition photography enthusiasts call GAS—Gear Acquisition Syndrome. After hearing about a new lens (or amplifier), you decide you really, really need this new toy, even though the gear you already own is more than adequate for your needs. During my adult life, I’ve experienced GAS hundreds—maybe thousands—of times, and succumbed to it more often than I care to admit.

Read more: Listen While You Work

Was 2021 the year that lossless and hi-rez music streaming became mainstream? Last year, Spotify promised it would start delivering lossless music, but failed to deliver. Three months later, Apple announced plans to offer lossless and hi-rez content, and started delivering shortly thereafter. Amazon Music HD had been offering lossless and hi-rez music since 2019; but following Apple’s move, Amazon reduced its price for the service. These aggressive moves by major providers like Apple and Amazon led several smaller streaming services to revamp their own pricing plans in 2021.

Read more: The State of Streaming—2022

Today is Simplifi’s birthday. Five years ago, on New Year’s Day 2017, the SoundStage! Network launched a site dedicated to “convenient, lifestyle-oriented hi-fi” with a short feature by Al Griffin, entitled “Why Simplifi.”

Read more: Why "Simplifi"—Five Years Later

Most audiophiles know Canada’s Lenbrook Industries for its three audio brands: PSB Speakers, NAD Electronics, and Bluesound multi-room streaming products. Fewer people know Lenbrook as a software developer. But the fact is that Lenbrook’s BluOS software platform is a key component of many of its products—not just the Bluesound multi-room components for which BluOS was originally created, but also NAD integrated amplifiers, preamplifiers, AV receivers, and a multi-zone streamer targeted at the custom-integration (CI) market.

Read more: The Evolution of BluOS: An Interview with Lenbrook's Andrew Haines

On May 28, 2020, Tidal announced that it was rolling out Dolby Atmos Music for home-theater systems. Nearly a full year later, on May 17, 2021, Apple Music announced that, along with lossless audio, its catalog would support spatial audio, which also uses Dolby Atmos. For Tidal, Dolby Atmos Music is included in the higher-tier HiFi subscription at $19.99 (all prices in USD) per month for a single subscription ($29.99 for up to five additional family members). For Apple Music, spatial audio and lossless audio are included in the $9.99 plan ($14.99 per month for up to five additional family members). For most audiophiles, the biggest draw would be lossless audio—the company was joining niche providers such as Tidal and Qobuz, but Apple’s pervasive influence brings it to a much wider audience.

Read more: Dolby Atmos Music in Your Home

You might think that a guy who earns his living by writing about technology would want to have the latest and greatest of everything. Not yours truly. When I make a purchase, I’ll spend what it takes to get a product that will meet my needs for a long time—but then I’ll make that thing last and last. I’ll replace a product only if it stops working properly and can’t be repaired economically; or if my circumstances change and the thing no longer suits my needs.

Read more: The Big Switch

In his July 1 editorial, “Rich Guys and Reviewers Running Amok in Hi-Fi,” SoundStage! Network founder and publisher Doug Schneider discussed the amount of exorbitantly priced hi-fi products available today, and the fact that their performance often does not justify their crazy price tags. And he cited academic studies showing that consumers often mistakenly equate price with quality.

Read more: I'm Only in It for the Money

We’re just past the halfway point of 2021, but I think I’ve already heard my favorite album of the year. On August 6, Impex Records will release Clique, an album of jazz standards by Patricia Barber, on MQA CD, SACD, and hi-rez download. Stereo and 5.1 surround-sound mixes will be included on the SACD, and available as hi-rez downloads. Clique will also be streamed by Apple Music, Spotify, Tidal, and Qobuz. Coming later this year is a 33rpm LP; a 45rpm LP and a reel-to-reel tape release will follow in 2022.

Read more: Encore! Encore! An Interview with Patricia Barber, Jim Anderson, and Ulrike Schwarz

First Amazon, then Spotify, and now Apple. With the company’s May 17 announcement that it was planning to make the 75 million songs in its Apple Music catalog available in lossless format, and that a substantial number of tracks would be available in high resolution (up to 24-bit/192kHz ALAC), all the major streaming services have now joined the lossless party.

Read more: The New Apple Music

The past five years have been mighty tumultuous for Bowers & Wilkins. In May 2016, the venerable British loudspeaker brand was acquired by EVA Automation Inc., a Silicon Valley startup. The two companies joined forces to develop a series of wireless audio products, which they unveiled in April 2019.

Read more: Moving Forward with Formation: An Interview with Andy Kerr of Bowers & Wilkins

I’m old enough to remember a time, in the 1970s and ’80s, when component hi-fi was a mainstream thing. It seemed everyone either owned or planned to soon buy a stereo system.

Read more: Glory Days

  1. Spotify Goes Lossless
  2. In Defense of Streaming
  3. Tinkering Simplifi'd
  4. Simplifi Defined
  5. Going Deep with Artison
  6. A Simplifi Yearbook
  7. A Perfect Pair
  8. The Critical Component
  9. Has the Time Come for Surround Music?
  10. My Top Ten Products of the Last Two Years
  11. Turning Pro
  12. All About That Bass
  13. Gently Down the Stream
  14. Big Events
  15. Rules of the Game
  16. The Name Game
  17. January 1, 2020: The State of Streaming
  18. Warsaw’s Audio Video Show 2019, Simplifi’d
  19. Toronto Audiofest 2019, Simplifi'd
  20. Hi-Rez à-Go-Go
  21. Streaming the Classics
  22. Play Nice Together -- An Interview with Rob Darling of Roon Labs
  23. Active Voices, Part Three: KEF's Jack Oclee-Brown
  24. High End 2019, Simplifi'd
  25. Active Voices, Part Two: Axiom Audio's Andrew Welker
  26. Montréal Audio Fest Simplifi'd
  27. Active Voices, Part One: Elac's Andrew Jones
  28. Let's Keep it Simple
  29. A Roon of One's Own
  30. How I Simplifi'd My Wi-Fi
  31. Are Downloads Dead?
  32. Hi-Rez Streaming: Tidal vs. Qobuz
  33. Toronto Audiofest 2018 Simplifi'd
  34. How I Simplifi'd My Hi-Fi
  35. Time to Celebrate: Five Years of Google Chromecast
  36. How Good Can Voice Recognition Get?
  37. Are Smart Speakers Any Good for Audiophiles?
  38. High End 2018, Simplifi'd
  39. Is the Smart Speaker a Dumb Idea?
  40. What's Up with Apple AirPlay 2?
  41. The Spotify Dilemma
  42. CES 2018, Simplifi’d
  43. Farewell, CES
  44. Room Tunes
  45. Social Streaming
  46. CEDIA 2017, Simplifi’d
  47. Classical Prime Time
  48. The Röst Reconsidered
  49. High End 2017, Simplifi'd
  50. Vinyl: There's an App for That
  51. Metadata: Life with Roon
  52. The Internet and Audio: The Good, the Bad, and the Impossible
  53. The State of Streaming
  54. CES 2017, Simplifi'd
  55. Why "Simplifi"

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