A trick question: What are the most valuable components of your music system? I don’t know about yours, but the most valuable parts of mine are space and time. If that sounds like new-age hokum, stay with me—that insight has a lot to do with how I’ve configured my hi-fi system, how I use it, and the writing I do in this corner of the SoundStage! Network.
Last spring, I added a new component to my audio wish list: a subwoofer. It happened after I’d conducted an experiment in which I compared my Elac Navis ARF-51 active floorstanding speakers ($4599.98/pair, all prices USD) with a pair of Elac Navis ARB-51 active stand-mounted speakers ($2299.98/pair), the latter augmented by an SVS PB-2000 Pro subwoofer ($899.99). I wanted to find out which would give me better sound: a pair of full-range floorstanders, or a pair of minimonitors plus a sub. The Navises employ the same drivers, crossovers, and amplifiers—in short, that minimum of variables made these two models an ideal test bed for my experiment.
In the last decade, recorded music has undergone a sea change -- it has become disembodied. From the late 19th to the early 21st century, music was distributed on physical media. In the early 21st century, digital downloads held sway, then quickly gave way to on-demand streaming.
At the start of 2020 — it seems an age ago — I’d made some ambitious travel plans for the year: In March, I’d take the train to Montreal for the Audiofest; in April, I’d fly to Chicago for AXPONA. In May, I’d jet off to Munich for the High End show. In October I’d stay in my home city to attend the Toronto Audiofest, and in November it would be off to Warsaw for the Audio Video Show.
A year ago this week, Amazon shook up the audio world with its announcement of Amazon Music HD, a streaming service that today offers 60 million tracks in lossless 16-bit/44.1kHz CD resolution, plus “millions” of hi-rez tracks in resolutions up to 24/192. While lossless and hi-rez files were already available from Qobuz and Tidal, the leading streaming services all used lossy codecs, so Amazon’s embrace of hi-rez audio was big news.
It sounds like a nice problem for a speaker maker to have: Some hot new models are launched, and the first batch immediately sells out. That’s what happened when PSB announced powered versions of its acclaimed Alpha P3 and Alpha P5 minimonitors.
On a Friday morning, two years ago this month, an unexpected e-mail from SoundStage! publisher Doug Schneider appeared in my inbox. I say “unexpected” because, at the time, I barely knew Doug. We’d met a few times at such audio events as CEDIA and the Consumer Electronics Show, and I knew Doug by reputation, having been a regular reader of SoundStage! publications since the Network’s launch, in 1995. We arranged to chat by phone.
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