One of my pet peeves is technology that thinks it knows more than I do. Sometimes, software developers will release a new version that removes a useful feature, supposedly to enhance ease of use, but usually to advance a corporate agenda. Sometimes, they’ll streamline a key function to make it simpler for inexperienced users, at the cost of restricting flexibility for experienced users.

Keen-eyed readers may have noticed that I recently added a new category to the Associated Equipment section at the end of my reviews. In addition to listing the speakers, sources, and cables used for a review, I’ve started listing my network setup. For most of the products I review, every note I listen to is streamed over a network. That makes the network an important part of my home-entertainment system.

This fall marked the 10th anniversary of file-based, high-resolution audio playback. The New York City-based website HDtracks opened its virtual doors in March 2008; in October of that year, it added to its catalog 24-bit/88.2kHz and 24/96 FLAC files.

Sometime soon, hopefully before the end of 2018, North American audiophiles will have their choice of two high-resolution music-streaming services. One of them is a familiar name -- now available in 57 countries, Tidal has been operating in North America since 2015. The other is a relative unknown, at least on the west side of the Atlantic.

Toronto has a new audio show. The first-ever Toronto Audiofest was held at the Westin Toronto Airport Hotel October 19-21. In one year, it has effectively supplanted the Toronto Audio-Video Entertainment Show (TAVES), which began in 2011 but gradually lost its way.

A year ago this month, my missus and I made a life-changing decision. We would sell the Toronto home where she had lived for 26 years, and move to a smaller house in the same neighborhood. Our kids had long since left the nest (lucky us!), and that big five-bedroom house was way more real estate than we needed. Downsizing would free up money for our retirements (we are now both, officially, geezers) and simplify our lives.

Music lovers have been trying to solve a problem ever since they began collecting recordings: How to have convenient access to large music libraries?

Last month, I talked about the advantages that voice command can bring to audio enthusiasts -- and the complications that limit its applicability to music listening. This month I talk in a bit more depth about the prospects for voice-command technology: How much better can voice-command systems get, and might they someday be the primary user interface for audio systems?

I’ve reacted with hostility to many audio writers’ musings about smart speakers. I’m beginning to wonder if I’ve been wrong.

High End 2018, in Munich, Germany, was packed with introductions of streaming products. While much of the gear displayed was at the upper end of the hi-fi price curve, there were also a number of new integrated amplifiers and wireless speakers -- from companies such as Technics, Cambridge Audio, and Cocktail Audio -- that can be had for more reasonable prices. What follows is a list of Simplifi-approved products I ran across during my time roaming the halls of the MOC in Munich.

Recently, I reviewed the JBL Link 500, a Wi-Fi speaker that incorporates the Google Assistant platform. To me, being able to question a speaker about the weather for the upcoming weekend, and to get a personalized response based on data Google had previously collected, seemed more a novelty than a great technological leap forward. Still, while the idea of having a speaker in my bedroom with a built-in microphone that relays data to Google’s servers didn’t make me paranoid, I was glad that the Link 500 also has a button for switching that microphone off.