SoundStage! Simplifi | SoundStageSimplifi.com

: Written by: Gordon Brockhouse; Created: 15 February 2023

Typically, articles predicting developments for the coming year come out in early January, or even late December. But here we are, two weeks into February, and Simplifi finally has a feature outlining what we can expect from music streaming in 2023. Do I feel badly about this delay? Not in the least. Because when it comes to lateness, I have nothing on Spotify and Apple Music. Those streaming giants have both missed self-imposed deadlines by well over a year. With that excuse out of the way, here are three streaming stories I’ll be watching in 2023.

Read more: The State of Streaming—2023

: Written by: Gordon Brockhouse; Created: 15 January 2023

Sometime last spring, it became clear to me that I’d be upgrading my hi-fi setup before the year was out. Not that I was dissatisfied with the gear I already owned—quite the contrary. I loved listening to that system, which comprised an NAD C 658 streaming DAC-preamp ($1999, all prices in USD), a pair of Elac Navis ARF-51 active floorstanding speakers ($3999.96/pair), and an SVS Micro 3000 subwoofer ($899.99). That system has provided countless hours of listening pleasure for me, my music-loving missus, and visitors to our home.

: Written by: Gordon Brockhouse; Created: 15 December 2022

Since the 1970s, record labels and audio manufacturers have been trying to convince music lovers to move beyond two-channel stereo. Music doesn’t just happen in front of us, argue proponents of surround music; it happens all around us. We could get a better experience if we added speakers beside and/or behind the listening position.

: Written by: Gordon Brockhouse; Created: 15 November 2022

How would you rather spend a glorious Canadian autumn weekend? Walking in the park? Taking a drive in the country? Raking the leaves? Or roaming the halls of a generic suburban hotel?

: Written by: Gordon Brockhouse; Created: 15 August 2022

Lately, I’ve been enjoying the SoundStage! Audiophile Podcast, which is hosted by Brent Butterworth, senior editor of SoundStage! Solo, and Dennis Burger, senior editor of SoundStage! Access. Brent and Dennis tackle a wide range of topics and do a ton of preparation for each episode. The production is polished, the discussions are well-informed and thought-provoking, and the presentation is casual and inviting.

: Written by: Kurt Wetzel; Created: 15 July 2022

I never wanted to purchase new speakers. I never wanted to go digital. It all happened by accident.

: Written by: Gordon Brockhouse; Created: 15 June 2022

The greatest audio show on earth is back. After a two-year, pandemic-induced hiatus, the 2022 Munich High End show took place from May 19 to 22. The SoundStage! Network sent a four-person editorial team to Bavaria: founder and publisher Doug Schneider; editor-in-chief Jeff Fritz; Edward Kramer, editor of SoundStage! Australia; and Jonathan Gorse, a UK-based contributor to SoundStage! Ultra. Together, they filed 18 dispatches from Munich, which you can find on SoundStage! Global.

: Written by: Gordon Brockhouse; Created: 15 May 2022

When it comes to consuming music, you can split the SoundStage! team into a few broad categories: those who are big into physical media, those who have fully embraced streaming, those who rely on downloaded and ripped music, and those with feet in all these camps.