For many people, computers have become an indispensable tool for listening to music. Computers rip CDs, and play tracks using software such as Audirvana Plus, iTunes, and JRiver Media Center. They download high-resolution files from sites such as HDtracks, and stream music from services that include Spotify and Tidal. Linked via USB to a DAC, preamplifier, or integrated amp, a computer can function as a source component. Alternatively, in a networked setup, it can be tapped to direct the flow of data via Ethernet.
An understatement: all-in-one speakers come with built-in limitations. Destined to be placed on a shelf or kitchen counter, they’re usually quite small, with little drivers designed to fit the space available within. The downside of all-in-ones, of course, is their limited output of sound, along with soundstaging that barely extends past the edges of their small enclosures. Convenient? Yes. Replacement for a system of separate components? Hmm . . .
Hegel Music Systems’ Röst ($3000 USD) was the first integrated amplifier to be reviewed on SoundStage! Simplifi, and to this day it’s a benchmark that other integrated amps must measure up to. That situation might seem odd when you consider that some models we’ve reviewed in the past few months have clearly outpaced the Röst in such features as Roon readiness, DSD support, and MQA decoding, all of which the Hegel lacks. The Röst also has no control app -- another amenity that manufacturers typically make available for network-capable products. What is it about the Röst that makes it special?
In the past year I’ve reviewed an array of all-in-one products, ranging from wireless powered speakers to integrated models combining streamer, DAC, preamp, and amp functions in a single case. A related category that I’ve ignored completely is the network audio player, a group that includes Arcam’s new rPlay ($599 USD).
Finding a perfect integrated amplifier isn’t easy. While most now provide a USB input for hooking up a computer, many lack a wired Ethernet or Wi-Fi connection for streaming. Some integrated amps are compatible with AirPlay, and others are Roon Ready. Many provide a phono input for a turntable, but definitely not all.
Ah, Munich in the spring. Strolling the banks of the Isar. Pedaling a boat across the Kleinhesseloher See (a lake) in the English Garden. Then, to wind down the day, hoisting a stein in the biergarten of the Augustinerkeller.
It’s often said -- usually about fashion -- that what’s old becomes new again: every decade or so, flannel shirts and skinny jeans come back in style. That’s the way Simaudio sees its ACE, the latest model in the Canadian company’s value-oriented Moon Neo line ($3500 USD). ACE is an acronym for A Complete Experience, and Simaudio is pitching it as a contemporary extension of the stereo receivers that drove the hi-fi boom of the 1970s. And a complete system it is, housing a moving-magnet phono stage, DAC, network player/streamer, preamplifier, power amplifier, and headphone amp in a single, compact box. Just connect it to speakers, link it to your wired or wireless network, and plug in any legacy components you have lying around. The ACE is like having a whole hi-fi system up your sleeve.
Each of the seven vices can be committed by the record collector -- even sloth, which is the sin of not taking proper care of your LPs, or of failing to file them correctly. But the vice I’ve come to most closely associate with collecting vinyl is greed.
Are you aware of Roon? Launched in 2015, the music library, discovery, and playback software has since been written up in several feature articles and reviews appearing on SoundStage! sites. The consensus here is that we like Roon, and recommend it despite the relatively steep cost of entry: $119 USD per year, or $499 lifetime.
Integrated amplifiers are the multitaskers of hi-fi, earning their keep by meeting multiple requirements at once. Since they usually need to be priced affordably, integrateds tend to be conservatively designed. That said, many recent models accommodate contemporary listening habits through features like Bluetooth streaming and a USB DAC input. Others, like Hegel Music Systems’ Röst, which I recently reviewed on SoundStage! Simplifi, go further by incorporating a wired LAN connection, IP control, and AirPlay streaming.
Lossy compression, piracy, and poorly compensated artists aside, it would be hard to make the case that, overall, the Internet has been bad for audio. Hearing new recorded music used to involve traveling to a store and buying a physical disc. Now, you can instantly access almost any music you want via streaming. In the case of Tidal HiFi -- and soon, possibly, other services -- you can also stream it in a compressed high-resolution format. Having such a vast library at your disposal has the side benefit of encouraging exploration: In the past three years, I’ve discovered more interesting new music by browsing streaming services than I had in the preceding 15 years, when my only choices were physical discs or downloads. (Legal downloads, that is; I never did the Napster thing, and I’m sure you didn’t either.)
Lumin, a brand owned by Pixel Magic Systems Ltd., in Hong Kong, is known for its line of network music players and transports. The M1, their latest product, is a slightly different beast: an elegant, all-in-one component that combines the functionality of a UPnP streamer with a class-D amplifier in a slim housing and selling for $1995 USD. To get up and running, you just connect the M1 to USB storage, or to your home network via Ethernet, download Lumin’s iOS/Android control app, and off you go. It couldn’t be simpler.
Arcam is no stranger to the idea of integrated playback systems, having launched the first Solo Music in 2005. In this second generation of the model ($2000 USD), they update the concept for the streaming era by adding wired and Wi-Fi network connectivity, along with aptX Bluetooth. Like the original, the new Solo Music features a built-in disc player, and DAB/DAB+ and FM tuners. (Terrestrial radio broadcasting -- it’s still a thing!) And if you’re wondering if this is a system aimed at both audiophiles and audio newbies, playback support encompasses CD and SACDs, audiophiles being the only people on earth to own SACDs.
Among American audio brands, it would be difficult to beat McIntosh Laboratory for sheer name -- and image -- recognition: The blue-and-green glowing McIntosh faceplate, with its meters and chunky knobs, is perhaps the most familiar icon of American hi-fi. Though mostly associated with tubed power amplifiers and preamplifiers, in recent years McIntosh has branched out, introducing everything from headphones and media streamers to wireless loudspeakers. Though it continues to manufacture the older product categories it’s best known for, the McIntosh of today is not your dad’s McIntosh.
One news item to come out of the 2017 Consumer Electronics Show that got little play in the otherwise exhaustive show coverage on SoundStage! Global was the announcement that Tidal would begin streaming Hi-Res Audio (HRA), effectively immediately. The announcement was made at a Hi-Res Audio Pavilion arranged by the Digital Entertainment Group (DEG) and located not at the Venetian, but at the Las Vegas Convention Center, amid booths filled with camera accessories, VR headsets, and drones. Statements made by other companies at the event indicated that we can soon expect HRA streaming from additional services, including Pandora, Napster (formerly Rhapsody), and HRA download site HDtracks.
As a listener, I’m new to Hegel the audio equipment maker. As a reader, I’m familiar with Hegel the German philosopher, mostly due to his influence on the thinking of Karl Marx. Georg Wilhelm Friedrich Hegel (1770-1831) is associated with the Hegelian Dialectic, in which things and ideas evolve in a continual process of change that finds synthesis in an ideal reality. Marx, among other things, is known for turning Hegel on his head by shifting the Hegelian Dialectic from the ideal world back to the material one.
The 2017 Consumer Electronics Show was arguably a bust for perfectionist audio, but there were still loads of interesting products to be found if you looked past the typical model of separates plus passive speakers. In retrospect, integrated products with wireless/streaming capability were the norm rather than the exception, indicating that such functionality has become a standard feature in the product lines of many companies. It was also the first audio show at which I saw high-end manufacturers tap Amazon’s voice-controlled Echo Dot to help conduct demos (“Alexa, play us some Norah Jones . . .”). Technology marches on.
When Naim Audio released its first wireless music system, the Mu-so ($1500 USD), in late 2014, the slab-like speaker grabbed attention with its sleek, decor-friendly looks. But the Mu-so was more than just a pretty face: packing dual three-way speakers, each driver separately powered by a 75W amp, the Mu-so was designed not only to deliver background tunes, but for serious listening. A year later, at the Consumer Electronics Show in January 2016, Naim was already demoing a new variation on the theme: the Mu-so Qb.
If you’re reading this, a thought may have entered your head: Does SoundStage! need another website dedicated to reviews of audio components? Good question. I’ll try to answer it here.
We live in the era of the wireless speaker. I say that not only because of the proliferation of Sonos and its clones. Nor am I talking about Bluetooth speakers, which have become the default music-playback option for most folks. What makes me think that the wireless category has finally, truly arrived are new options from companies such as Dynaudio and Devialet -- wireless, powered speakers that provide high-performance alternatives to traditional wired hi-fi systems.
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